New medium #6 – book binding

How book binding works - a series about experimenting with new art techniques

Imagine that you hate painting in a book. You prefer doodling on individual pieces of paper because you are afraid you spoil it and then the look of the entire sketchbook is destroyed. If you happen to draw in a sketchbook for some strange reason, you use a wire-bound one, so you can just tear the page out if you mess up the drawing. But despite all this, you still go to workshop and bind yourself a real, hard cover sketchbook.

Question: Are you insane?

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New medium #4 – Masking fluid

A series about experimenting with new techniques - masking fluid for watercolor.

My ‘new mediums‘ coloumn is returning in a little irregular way: I didn’t experiment with a completely new technique, but I was trying out a supply made for watercolour artists: masking fluid.

Those working with watercolour will know that with this technique it is kind of impossible to paint white surfaces. If you want white, you need to leave the area blank and the white of the paper will give the colour. But sometimes this is quite difficult: let’s suppose you want to paint a swirl of snowflakes in front of a dark sky. This means you’d have to paint around all the millions of tiny flakes… Great… Well, it really is great now, because masking fluid solves the issue.

What is this section?

One of the conclusions I drew from the illustration workshop was that I’ve become a bit lazy: I am not experimenting enough with new techniques, I am happy in my bubble of watercolours. Of course, there is nothing wrong with dwelling deep in one medium and learning all the secrets but if you don’t get out of your comfort zone you miss a lot of fun. So I’ve decided to start a new series on the blog: I’m going to try techniques that are new to me and tell you guys about my experiences.

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New medium #3 – Pen and ink

A series about experimenting with new techniques - pen and ink

What is it that crosses the architect’s mind when it comes to ink? Hatching, university, descriptive geometry… To put it shortly, my experiences are rather horrible, not to mention that this technique is somewhat similar to graphite pencil drawing, which is another thing I’m not friends with. Last November, however, I had no option but to give it another go with black ink at the illustration workshop and BOOM! I’ve been using it ever since.

What is this section?

One of the conclusions I drew from the illustration workshop was that I’ve become a bit lazy: I am not experimenting enough with new techniques, I am happy in my bubble of watercolours. Of course, there is nothing wrong with dwelling deep in one medium and learning all the secrets but if you don’t get out of your comfort zone you miss a lot of fun. So I’ve decided to start a new series on the blog: I’m going to try techniques that are new to me and tell you guys about my experiences.

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New medium #2 – Lino cutting

A series about experimenting with new techniques - lino cutting

I first met lino-cutting at an afternoon class in primary school. I immediately fell in love with it but stopped working with it right away, as this technique is fairly complicated and also a little dangerous (at least for children). I came across it again during the illustration workshop that I took part in last year.

What is this section?

One of the conclusions I drew from the illustration workshop was that I’ve become a bit lazy: I am not experimenting enough with new techniques, I am happy in my bubble of watercolours. Of course, there is nothing wrong with dwelling deep in one medium and learning all the secrets but if you don’t get out of your comfort zone you miss a lot of fun. So I’ve decided to start a new series on the blog: I’m going to try techniques that are new to me and tell you guys about my experiences.

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New medium #1 – Aniline paint

A series about experimenting with new techniques - aniline paint

One of the conclusions I drew from the illustration workshop was that I’ve become a bit lazy: I am not experimenting enough with new techniques, I am happy in my bubble of watercolours. Of course, there is nothing wrong with dwelling deep in one medium and learning all the secrets but if you don’t get out of your comfort zone you miss a lot of fun. So I’ve decided to start a new series on the blog: I’m going to try techniques that are new to me and tell you guys about my experiences.

Aniline paint and I go back a long way. It tricked me years ago, pretending to be aquarelle-paint. When I realised at last that I’d been painting with aniline for years I became so angry that I stuffed the set at the buttom of my drawers and only got it out a few weeks ago.

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